Brenda Francis Pelkey: A Retrospective
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MacKenzie Art Gallery 3475 Albert St, T C Douglas Building (corner of Albert St & 23rd Ave), Regina, Saskatchewan S4S 6X6
Brenda Francis Pelkey, "Court, Cobourg," 2005
printed large format 2016, inkjet on bonded aluminum, 40" x 65" (collection of the artist)
Located in the Kenderdine Gallery
Opening Reception: Friday, June 22 at 7:00 PM I Everyone welcome I Free eventThe opening reception will host Brenda Francis Pelkey with an artist walk-through at 7:00 PM
As an artist-cartographer-photographer, Brenda Pelkey opens multiple possibilities of female subjectivity in public and private spaces and challenges geographies which have been normalized as male spaces. This career-review is the first solo exhibition organized by the Art Gallery of Windsor since Pelkey moved from Saskatoon to take up the position of Director of the School of Visual Arts at the University of Windsor (2003-2012). The exhibition addresses her ongoing contributions to an innovative kind of social geography, one in which the subject’s view is challenged to consider diverse options. The works invite viewers to imagine outcomes of events past, present, and future which may have happened, be happening, and could happen in those spaces.
The exhibition begins with a selection of her early documentary works from the Foundry project (1988) and includes those major bodies of works which have subsequently challenged the documentary role of photography through images infused with rich social and psychological impact. Pelkey’s practice first demonstrated these latter concerns in 1989 when those photographs comprising the exhibition, the great effect of the imagination on the world (1988-89) were shown. Since then, Pelkey has continued to evolve these themes of psychic and social identity with photographs of landscapes, urban sites, and people. The exhibition reflects these projects through selections from dreams of life and death (1991-94), Memento Mori (1994-96), Oblivion (1996-97), As if there were grace (1999-2000), Haunts (2000-01), Spaces of Transformation (2004-05), and her recent work addressing civic subjects such as provincial court room interiors (2005-8) and the Windsor Aquatic Training Centre under construction (2012-15).
Over the past three decades, Pelkey’s works have been the subject of many solo and group-artist exhibitions in Canada and northwestern Europe, including: Museum of Photography, Helsinki, Finland; London Guildhall University, UK; Remai Modern (Mendel Art Gallery), Saskatoon; MacKenzie Art Gallery, Regina; Thames Art Gallery, Chatham; and the Dunlop Art Gallery, Regina, among others. Her works are held in major public collections including several of those listed above as well as: Canada Council Art Bank, Ottawa; Winnipeg Art Gallery; Confederation Centre for the Arts, Charlottetown; University of Saskatchewan; and the National Gallery of Canada, Ottawa. Today, she continues an active role as professor and an established artist working in Canadian contemporary art.
Curated by Catharine M. Mastin, PhD, Director and Exhibition Curator, Art Gallery of Windsor
Organized and circulated by the Art Gallery of Windsor.
This project has been made possible in part by the Government of Canada.