Natasha Katedralis: Eyebat, The Cutting Floor

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Image courtesy of Capture Photography Festival

Natasha Katedralis, 'Facing,' 2024, gelatin silver print, 40.6 x 50.8 cm. Courtesy of the Artist.

Eyebat, The Cutting Floor gathers twelve silver gelatin prints that incorporate photograms, light drawing, contact printing, enlarged “digital negatives,” and hand-colouring techniques with oil pigments. Natasha Katedralis uses photographic tools as one move in a sequence of gestures to emphasize, dramatize, and recompose the visual into a space of abstraction, flattening, and association. These photo-cum-collage-cum-drawings push the illusory qualities of the photographic medium into a play of highly constructed and graphic surfaces.

Having recently learned photo-developing techniques under the mentorship of artist and darkroom technician Felix Rapp, the prints exist as an experimental extension of the artist’s engagement with photography and images. Using the analogue process, Katedralis combines digital photography with the physical ephemera that constellate her broader practice, such as drawings, collage materials, and collected items of significance. Fragments of computer desktop images, torn-out magazine pages, ink drawings, family heirlooms, and renderings of the artist’s house keys indiscriminately converge in the material space of light-sensitive paper and the liquid chemicals that develop them.