Nicole Kelly Westman: muddled mirage of memories escaping encapsulation
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Contemporary Art Gallery 555 Nelson Street, Vancouver, British Columbia V6B 6R5
Nicole Kelly Westman, "muddled mirage of memories escaping encapsulation," 2020
film scan
Talk | Nicole Kelly Westman with Peta Rake & Katarina Veljovic [Rescheduled]
Thursday, August 5, 6.30pm PDT
Online via Zoom
Alongside Nicole Kelly Westman’s exhibition muddled mirage of memories escaping encapsulation, the artist invites two colleagues, friends and sisters—curators Peta Rake & Katarina Veljovic—to speak together about artistic practice and the fruitfulness and responsibility of centering care in arts communities. What does it mean to hold sustaining and porus relationships in an art community? Are there ways we can lean into vulnerability and intimacy in these relationships? What might it look like to witness the often-invisible labour of garnering trust and respect?
The practice of Nicole Kelly Westman is anchored in an ongoing concern with the conditions of image-making. Although Westman only occasionally uses cameras or produces anything akin to a photograph, her work deftly engages the tools, techniques and principles of photography to question the objectivity of the recorded moment.
Light, in particular, is an essential collaborator for Westman. The glow of a sunbeam filtered through treetops; a city street at night, awash in the haze of sodium vapour lamps; the chromatic brilliance of a sunset: light for Westman is an opportunity to index the energies and intimacies that constitute any given moment and the ways in which it is perceived, documented and assigned meaning.
In muddled mirage of memories escaping encapsulation, Westman presents a series of three works across CAG’s façade windows, each of which nods to the ways memory is shaped, staged and recalled. Referencing the backdrop, the mirror, the gel, and the cucoloris—each used in the photographic process to produce “ideal” images—these works offer a patient counterpoint to the fixity of the standalone photograph, drawing our attention to the felt structures found in light and shadow, sentiments that often elude being captured, shot, or taken.
Curated by Matthew Hyland