Thom Mayne | Constructing the Spontaneous
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Paul Kyle Gallery (formerly Elan Fine Art) 4-258 East 1 Avenue (Second floor), Vancouver, British Columbia V5T 1A6

Thom Mayne, “XCD,” 2023
(courtesy of the Gallery)
Opening Reception:Saturday, February 10th, 2024 (1:00-5:00 PM)
PAUL KYLE GALLERY is proud to present Constructing the Spontaneous, an unprecedented exhibition of Pritzker-winning architect THOM MAYNE’S visionary digitally assisted artworks. Renowned for his ground-breaking contribution to architecture and design, Mayne’s latest series of artworks emerges as a profound exploration of the interplay between the forefront of technology and humanistic ideals and expression.
Thom Mayne’s latest series of artworks, guided by the principles of wilfulness and chance, represents a diligent and lengthy exploration into the dialogue between the digital and the tangible. Each piece in the exhibition is the result of a rigorous generative process that starts with commanding a computer algorithm, which spawns a series of images based on a series of primitive geometries, enhanced by variables such as rotating and stacking operations, opacity metrics, and additive and subtractive form making. From these algorithmically generated images, Mayne selects one that most profoundly embodies his artistic vision, combining colour, composition, and an ineffable sense of true human beauty. The final painting, rendered tangible through a delicate and laborious UV printing process, represents an interconnected network of parameters that can randomly produce new sets of unexpected results. This creates a discrete, one-of-a-kind series, with each artwork’s uniqueness guaranteed by the immediate destruction of its digital kin.
The rich texture achieved through the UV printing process is brought to life with hand worked processes such as gold-leafing, a nod to classical artisanship in a new era of artistic creation. In the early stages of exploring this printing method, Mayne experimented with the interaction of pigments on metal surfaces. Initially, these artworks exhibited a dynamic quality, with colours that oxidized and matured over time, echoing the organic impermanence of nature itself. While this transformative characteristic was a prominent feature during the experimental phase, the current works have since reached a state of equilibrium. They stand as testaments to Mayne's early research efforts and his embrace of process and exploration in art. This period in Mayne's artistic journey underlines his belief that art is an evolving entity, reflective of the human condition and its continuous state of flux.
Thom Mayne’s works in this exhibition invite viewers to engage with a narrative of creation that is as ancient as the act of painting and as pioneering as space travel. Mayne equates his digital intelligence to a spacecraft, transporting us to the universe we were only able to glimpse and study from afar. With this spacecraft, the universe is within the palm of his hands, and presents as endless possibilities.
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