TJ Shin: The Vegetarian

×

Expand

TJ Shin, "Anthropology of a Phytomorphist," 2021–2022

video still

In The Vegetarian, their first solo exhibition in Canada, TJ Shin transfects their DNA into mugwort, a perennial plant categorized as an invasive species in North America and used to treat malaria in various parts of the world. Supported by the University at Buffalo, Shin induces changes to the plant’s genome by blasting their DNA particles onto foraged mugwort using a gene gun commonly used for agricultural engineering. The multisensory exhibition features herbarium collages, digital prints, and video, all derived from fluorescent microscope scans tracing the genealogy of the plant transformation.

At the exhibition’s centre is a large-scale sculptural scentscape: a vascular system made from the transfected mugwort, to be burned at regular intervals throughout the exhibition in a practice inspired by Korean shamanistic ritual. The organic matter on display, neither plant nor animal, native nor invasive, living nor dying, presents a transmutative subject that troubles the vertical hierarchy of life and echoes what Mel Y. Chen calls “transplantimalities,” a human subject taking a “tranimal” turn. In transfusing with mugwort and becoming both a toxic poison and a miracle cure, Shin draws out the pestilence and persistence of insurgent sociality, survival, and death.

‍The Vegetarian explores how the figure of the “pest,” which threatens the economy of settler-colonial ownership and property, gives rise to disease management, imperial expansion, and extractive economies. Expanding on the philosophy and critical theory of pharmakon, which triangulates the epidemiology of remedy, poison, and scapegoat, The Vegetarian unpacks how medicine, botany, and science coalesce through the administration of landscapes, plants, and animals. In turn, Shin considers how pestiferous or “malarial” subjects come to constitute the biopolitical networks of “disease ecologies” and the racial regime of “vegetated” life, revealing colonialism to be the source of, rather than the solution to, disease epidemics.

Please be advised that this exhibition is not an odour-neutral environment. During the course of the exhibition, low-sensory days (in which the gallery will be kept odour-neutral and the video work will be set at a low volume) will be announced.

TJ Shin is a Korean-Canadian interdisciplinary artist based in Los Angeles. Inspired by decentralized ecologies and queer sociality, they create living installations and imagine an ever-expanding self that exists beyond the boundaries of one's skin. Shin was a 2020 New York Community Trust Van Lier Fellow and 2020 Visiting Artist Fellow at UrbanGlass in Brooklyn. Shin has exhibited internationally at the Queens Museum, Lewis Center for the Arts, Wave Hill, Recess, Doosan Gallery, Klaus Von Nichtssagend Gallery, Cuchifritos Gallery, Knockdown Center, and Cody Dock, London.

* The exhibition’s title is borrowed from Han Kang’s The Vegetarian, a novel whose protagonist becomes a tree.