David Spriggs | Dimensionalism
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Paul Kyle Gallery (formerly Elan Fine Art) 4-258 East 1 Avenue (Second floor), Vancouver, British Columbia V5T 1A6
David Spriggs, “Paradox of Power,” 2007
painted layered transparencies in display case, 104 x 36 x 124 in. (courtesy of the gallery)
David Spriggs presents Dimensionalism, an awe-inspiring exhibition that transcends the boundaries of painting and sculpture. Originally from the United Kingdom and currently based on Vancouver Island, Canada, Spriggs is known for his groundbreaking art that blurs the lines between dimensions, inviting viewers to explore the interstitial art of Dimensionalism.
A Journey into Dimensionalism
Spriggs’ artistic journey began in 1999 when he created a pioneering technique, involving layering transparencies in space and painting on them, creating a visual language that bridges the gap between the tangible and the ethereal. Dimensionalism describes an art that revels in the interstitial space between dimensions. Dimensionalism springs forth from the notion that reality is a complex composition of layers that weave and intersect, rather than being confined to a single plane.
The Intersection of Material and Immaterial
Spriggs’ artwork is an exploration of space, colour symbolism, power, movement, and perception. As visitors navigate the exhibition, they will encounter a symphony of layered, transparent imagery that unite into vibrant, abstract, and almost otherworldly forms. These immaterial forms overcome the limitations of a single plane, forming a complex tapestry of interconnected images perceived by the mind as a unified cohesive whole. Navigating this intricately layered space, dimensions blur and converge, and each artwork appears distinct from every viewpoint.
Transparency
A fundamental element of “Dimensionalism” and all of David Spriggs’ art is transparency, which transcends mere translucency to become the very language of the immaterial. Throughout the exhibition, transparency serves as a bridge between the tangible and the ethereal, enriching the viewer’s experience with a profound connection to the intangible.
Navigating Power Dynamics and Symbolic Duality
Within the “Dimensionalism” exhibition, smaller artworks delve into the symbolic interplay of black and white, illuminating the nuanced themes of duality and power dynamics. These contrasting colors convey multifaceted meanings, such as the establishment of hierarchy and the exploration of dichotomy, casting light on the intricate interdependence between these elements.
Meanwhile, the centerpiece of this captivating exhibition, “Paradox of Power,” offers a profound exploration of the age-old symbol of power—the bull. In this intriguing piece, the bull is visually bisected, one side ablaze in vibrant red, the other adorned in striking blue. A twist of artistic ingenuity flips the bull upside down, introducing an additional layer of complexity and symbolism. This juxtaposition of powerful, contrasting colors within this iconic symbol stands as a vivid representation of the duality inherent in the concept of power.
The Creative Process
Spriggs’ creative process begins with the pursuit of visually captivating and thought-provoking ideas. He explores multiple meanings and interpretations of a subject represented in a unique manner. His inspiration springs from an eclectic range of sources, encompassing art history, philosophy, and science. These influences inform the deeper conceptual layers of his art, delving into themes of power, perception, and form.