URL:IRL

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Dominique Pétrin, "You won’t solve the problem with an air freshener, (detail)," 2017

silkscreened paper installation, grunt gallery. Photo: courtesy of the artist

URL:IRL - Reception: Friday, June 1, 7:00 pm, Central Gallery

Barry Ace, Jeremy Bailey and Kristen Schaffer, Madelyne Beckles, Maya Ben David, Scott Benesiinaabandan, Lorna Mills, Freya Björg Olafson, Desearch Repartment, Kaley Flowers, Carla Gannis, Nandan Ghiya, Amanda Low, Endam Nihan, Dominique Pétrin, Sarah Rothberg, Megan Smith, and Angela Washko.

Curated by Blair Fornwald, Jennifer Matotek, and Wendy Peart.

This Exhibition runs from June 1 to September 16, 2018 at Central Gallery, from June 1 to September 17, 2018 at Central Mediatheque, and from June 16 to September 5, 2018 at Sherwood Gallery.

JEREMY BAILEY: NAIL ART MUSEUM PERFORMANCE LECTURE(ASL INTERPRETED) AND RECEPTION, Friday, June 1 at 6:00 pm.

This exhibition, which expands beyond the gallery walls to include offsiteinterventions, performances, an Instagram takeover, and online components,brings together recent works by Canadian and international artists whosedigital and physical artworks bridge material and immaterial practices. Slyly referencing new media art’s aesthetic and conceptual impulses, the artists ofURL:IRL also explore the pleasures and perils that come with advancements in digital technologies, and how identities, places, and ideas are, for better or worse, constructed and communicated by screen culture.

From a broader cultural perspective, URL:IRL posits that self-fashioning is no longer possible without the behaviours normalized through social media. Every living generation now uses the internet, gaming systems, and apps to perform their authentic identities, anonymous selves, and constructed online personae. URL:IRLcaptures the ways that artists attempt to locate and identify where and what the “real” is in the midst of the 21st  century’s moral panic around how one is to use (or not use) technology to become one’s best self. Their works enliven critiques around whether connection equals disconnection, whether technology distances us or brings us together, whether selfie culture and the social and biochemical rewards of “likes” are evidence of radical communication or radical narcissism, and if we are truly choosing technologically-enhanced lives at the expense of “real” ones.